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Your blood pressure is normal at home, but the moment that well-meaning medical professional wraps that cuff around your arm, it spikes. The act of measuring creates the very problem it’s trying to manage.

This isn’t unique to medical settings.

Your training programmes tick every compliance box, your completion rates are high, and your post-course evaluations consistently show positive feedback. Yet when those same employees return to their desks, something fundamental is missing. They struggle with client conversations they’ve never encountered before. They freeze when stakeholder priorities conflict. They can recite the frameworks but can’t read the room. They’re not workplace-ready.

The 5% problem

Recent research reveals this contradiction starkly. LinkedIn’s 2024 Workplace Learning Report found that fewer than 5% of major reskilling initiatives advance far enough to measure success, whilst separate studies show 79% of business leaders say new talent still arrives unprepared for workplace realities. When surveyed, only 27% of employees feel confident they can demonstrate essential capabilities when it matters most.

Not only is this a colossal waste of time and money, it demonstrates a fundamental mismatch between how we develop capabilities and how those capabilities actually get used in the real world.

A group of people in a training session looking bored

The invisible barrier

The issue lies in what happens when we try to make complex workplace skills teachable at scale. To create consistent, measurable programmes, learning teams naturally break down sophisticated capabilities into manageable components. “Effective stakeholder management” becomes a framework with clear steps. “Strategic thinking” gets reduced to a methodology with reproducible processes.

There’s nothing wrong with these frameworks—they’re accurate, evidence-based, and logical. But they represent knowledge once-removed from the messy, high-stakes situations where employees actually need to apply them. They don’t deliver workplace-ready talent.

Consider the difference between knowing that “active listening involves maintaining eye contact and asking clarifying questions” and actually navigating a heated budget meeting where three departments have conflicting priorities and the CFO is clearly losing patience. The framework provides the foundation, but the real capability emerges through practising judgment under pressure.

This explains why traditional training often produces what we might call “competent beginners”—people who understand the principles but struggle with the improvisation that workplace effectiveness demands.

The fiction solution

The most effective solution lies in an unexpected place: the power of realistic workplace fiction.

When employees engage with carefully crafted scenarios featuring fictional colleagues facing authentic challenges, something remarkable happens. They stop trying to demonstrate their competence and start simply solving problems. The psychological distance created by fiction paradoxically allows for deeper engagement with real workplace dynamics.

Data analysis training provider IO-Sphere recognised that whilst many courses taught technical data skills effectively, graduates still struggled to apply this knowledge in real workplace contexts. They could analyse data but couldn’t navigate stakeholder conversations, create compelling narratives from their findings, or influence decision-makers effectively.

The solution? We helped them develop a fictional e-commerce company and stakeholders to reframe ‘teaching’ as ‘engagement in realistic scenarios’. Rather than abstract case studies, participants followed data analysts navigating genuine workplace challenges—conflicting stakeholder demands, incomplete briefs that changed mid-project, and the politics of presenting findings that contradicted senior expectations.

Instead of learning about stakeholder management in theory, participants found themselves actually managing fictional stakeholders with distinct personalities and agendas. They developed the confidence to present complex findings clearly, learned to read room dynamics, and gained practical experience in the soft skills that determine whether technical expertise translates into business impact. The programme now successfully converts novices into workplace-ready data professionals in just 14 weeks.

Why fiction works where facts fail

Fictional scenarios succeed because they eliminate the performance anxiety that traditional training often creates. When employees know they’re helping fictional characters navigate challenges, they engage objectively rather than defensively. There’s no fear of “getting it wrong” because they’re not being evaluated—they’re simply solving interesting problems.

This psychological safety allows the sophisticated judgment that employers actually value to emerge naturally. Instead of following predetermined frameworks, employees demonstrate the adaptive expertise that distinguishes high performers from merely competent ones.

The approach also preserves the complexity that makes workplace challenges genuinely challenging. Unlike simplified case studies, fictional scenarios can include all the messiness of real organisational life—conflicting stakeholder interests, incomplete information, shifting priorities, and political dynamics—without overwhelming participants with actual consequences.

The strategic advantage

The organisations we’ve worked with who have implemented scenario-based training report measurable improvements in exactly the capabilities that traditional training struggles to develop: handling ambiguity, adapting communication styles for different stakeholders, making ethical decisions under pressure, and building strategic relationships across hierarchical boundaries.

Perhaps most significantly, these capabilities transfer immediately to real workplace situations because they’ve been developed through realistic practice rather than theoretical instruction.

For senior managers facing pressure to demonstrate ROI on training investment, scenario-based learning offers a pathway from measuring satisfaction scores to measuring actual workplace effectiveness. When employees can navigate complex challenges because they’ve practised similar situations in safe environments, the business impact becomes immediately visible.

The measurement paradox dissolves when learning experiences develop genuine capability rather than just theoretical knowledge. Your training investment finally delivers what it promises: employees who don’t just know what to do, but can actually do it when it matters most.

You might also like:

  • Ding’s Learning Design Almanac provides practical solutions to real-world learning challenges. No theoretical padding—just essential techniques that work when you need them to.
  • The Ding Blog shares fresh perspectives on educational practice. We cut through the noise to focus on what actually makes learning experiences engaging and effective.
  • The Ding-O-Meter Podcast features honest conversations with learning professionals. Real discussions about the messy realities of creating meaningful education, with insights you can apply immediately.
  • JUICE (Journal of Useful Investigations in Creative Education) does exactly what its name suggests—extracts the essential oil from academic research. We squeeze complex studies until the practical wisdom separates out.

 

Want to become a qualified learning designer?

We run a PGCert, PGDip and MA in Creative Teaching and Learning Design.

Take our diagnostic quiz!

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Using fiction to improve the effectiveness of learning and training https://ding.global/using-fiction-to-improve-the-effectiveness-of-learning-and-training/ https://ding.global/using-fiction-to-improve-the-effectiveness-of-learning-and-training/#respond Fri, 15 Aug 2025 23:39:28 +0000 https://ding.global/?p=6702 The post Using fiction to improve the effectiveness of learning and training appeared first on Ding.

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For over eight centuries, roses have symbolised profound knowledge—wisdom that’s precious because it demands real effort to obtain.

Persian mystic Rumi wrote of roses as divine secrets locked within “a hundred veils of petals,” each layer hiding deeper truth from anyone unwilling to work for it. Medieval alchemists understood roses as containers of spiritual essence—but essence that wouldn’t give itself up easily. In Dante’s vision, divine wisdom appeared as a celestial rose where knowledge flowed outward from an unreachable centre through layer after layer of complexity.

Distilling the essence

In Bulgaria’s Valley of Roses, farmers understand this too: at 4am, they start harvesting 60,000 rose petals in a precise four-hour window. Those roses contain essence so concentrated and valuable that a single bottle sells for £8,000—but that essence would stay trapped forever without one key step: steam distillation.

The process is simple but transformative; steam passes through the rose petals, creating conditions where the essential oils can separate from the plant matter. The steam carries these oils away as vapour, which then cools and condenses, leaving behind pure rose essence. Only by adding steam, can farmers extract concentrated oils that would otherwise remain locked inside the petals forever.

Target attributes for 21st century learners

Why learning often remains locked up

Training courses contains vast amounts of knowledge too. But what makes that knowledge truly valuable isn’t its presence in textbooks or syllabi; it’s when learners can apply it in real situations.

This applied knowledge is the ‘essential oil’ of learning and training. It exists within our curricula, but conventional teaching methods often struggle to extract it. Worse, conventional teaching—which likes keeping theory and practice separate—can lock this practical wisdom up even tighter.

Rose growers know what happens when buds can’t open properly: they “ball”—staying closed without blooming. Conventional teaching does something similar to knowledge. Learners may absorb information, but when theory stays separate from practice, that knowledge balls up: it forms but never truly flowers.

Until someone introduces fictional scenarios.

Scenarios are more than just decoration

Scenario-based learning creates imaginary situations where learners must make decisions, solve problems, and navigate challenges as if they were actually there. Instead of learning about leadership through textbooks, for example, learners might find themselves managing a fictional team crisis with competing deadlines and difficult stakeholders.

But fictional scenarios in learning settings will often meet resistance. “Why add all these fictional layers when we could just teach the concepts directly?” “Aren’t scenarios just decorative elements that complicate simple learning?” “Don’t these made-up situations just add clutter that gets in the way of real knowledge transfer?”

These concerns assume that fictional scenarios add complexity to learning. But fictional scenarios work like steam distillation. When we create workplace scenarios, we’re not adding complications—we’re creating conditions that allow practical wisdom to separate from all the theoretical content that keeps it locked up.

The fictional scenario provides what steam provides: it’s a deliberate intervention that helps essential capabilities become accessible.  Time pressure, role clarity, competing demands—these elements don’t dilute or contaminate learning; they create the conditions where practical wisdom emerges intensely.

Filming the scenario at IOSphere HQ

Using scenarios to enhance compliance training

When people push back on fictional scenarios, they’re missing what actually happens in the learning process. We worked with a major energy company last year on compliance training. Their existing approach was all about explaining regulations and procedures, but when installers got to real customers’ homes, they were struggling to apply it because every customer interaction was different and unpredictable.

This is a prime example of the balling effect. The knowledge was there, but it couldn’t open out into practical action. But by creating a fictional smart meter installer character who encounters different customer situations throughout the training, learners went beyond simply memorising compliance rules—they were practicing how to explain meter benefits to a sceptical customer.

Adding this fictional layer in fact made the compliance requirements clearer, not more complex. This is comparable to the steam distillation process: the fictional elements—the character, the situations, the time pressure—don’t muddy the learning. They create the right conditions for practical wisdom to separate out from all the regulatory information that would otherwise just sit there inert.

We see this pattern repeatedly. Whether it’s leadership development, technical training, or professional skills—the moment you put knowledge into a fictional but realistic context, it becomes usable in ways that traditional teaching just can’t achieve.

Five key takeaways for distilling learning using fictional scenarios

Here are five practical takeaways for “unballing knowledge” through scenario-based learning:

1. Facilitate, don’t broadcast: Your role shifts from delivering information to guiding discovery. Instead of explaining how to handle difficult conversations, create scenarios where learners must navigate them. Watch, listen, and intervene only when learners get stuck. The practical wisdom emerges through doing, not through being told.

2. Uncover the hidden curriculum: Every subject has unwritten rules that experts take for granted. In business scenarios, this might be reading room dynamics or knowing when to push back on senior colleagues. Design scenarios that force these invisible skills into the open where they can be practised and refined.

3. Create the right pressure: Practical wisdom separates from theory when learners face genuine constraints. Add time limits, competing priorities, or resource restrictions that mirror real workplace pressures. These aren’t complications—they’re the conditions that force knowledge to become usable.

4. Start with what they need to do: Begin with what learners need to be able to do, not what they need to know. If they must influence stakeholders, create scenarios requiring influence, then let the knowledge they need emerge naturally from attempting the task. The content becomes a tool rather than an end goal.

5. Trust the messiness: Resist the urge to smooth out complications or provide too much guidance. When learners struggle, make mistakes, or feel uncertain, that’s often when practical wisdom is separating from stuck knowledge. Create space for this productive confusion rather than rushing to eliminate it.

And just as those Bulgarian farmers extract every drop of essence from their roses, we’re always squeezing the pips of our own learning design projects—distilling insights from every challenge, every breakthrough, every lesson learned. Our resources offer concentrated wisdom from years of practical experience:

  • Ding’s Learning Design Almanac provides practical solutions to real-world learning challenges. No theoretical padding—just essential techniques that work when you need them to.
  • The Ding Blog shares fresh perspectives on educational practice. We cut through the noise to focus on what actually makes learning experiences engaging and effective.
  • The Ding-O-Meter Podcast features honest conversations with learning professionals. Real discussions about the messy realities of creating meaningful education, with insights you can apply immediately.
  • JUICE (Journal of Useful Investigations in Creative Education) does exactly what its name suggests—extracts the essential oil from academic research. We squeeze complex studies until the practical wisdom separates out.

Want to become a qualified learning designer?

We run a PGCert, PGDip and MA in Creative Teaching and Learning Design.

Take our diagnostic quiz!

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How scenario-based learning delivers skills in improvisation and adaptability https://ding.global/how-scenario-based-learning-delivers-skills-in-improvisation-and-adaptability/ https://ding.global/how-scenario-based-learning-delivers-skills-in-improvisation-and-adaptability/#respond Fri, 15 Aug 2025 22:32:29 +0000 https://ding.global/?p=6685 The post How scenario-based learning delivers skills in improvisation and adaptability appeared first on Ding.

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In the 1940s and 50s, Viola Spolin was transforming how we understand learning through her pioneering work in improvisational theatre. Working with the Compass Players in Chicago, Spolin developed a systematic approach to theatre training that would influence generations of performers and educators.

Her seminal book, “Improvisation for the Theater,” published in 1963, remains a cornerstone text for theatre practitioners. Through her son Paul Sills, she founded The Second City, a comedy theatre that would become a proving ground for some of comedy’s most celebrated talents—Tina Fey, Steve Carell, Stephen Colbert, Bill Murray, John Belushi, Dan Aykroyd, Amy Poehler…

Spolin’s technique centred on what she called “theatre games”—structured improvisational exercises designed to liberate performers from self-consciousness and mechanical acting. These weren’t just performance techniques, but carefully constructed learning experiences that challenged participants to be fully present, responsive, and creative.

“Through improvisation,” Spolin wrote, “the actor learns to trust his own spontaneity, to rely on his own discoveries, to be both the source and the critic of his own work.”

Target attributes for 21st century learners

Four core attributes of employability

In our webinar The Art of Employability, Phil and I identified four core attributes essential for navigating today’s complex world: Agility, Innovation, Holistic Problem-Solving, and Principled Action.

Spolin’s championing of improvisation speaks directly to how we develop these essential human capabilities—spontaneity that helps us move quickly when things change, the confidence to rely on our own discoveries and turn them into innovative solutions, an ability to synthesise by connecting different perspectives, and the wisdom to be both ‘the source and the critic’ of our own efforts.

Just as Spolin argues that performance emerges from the ability to create and critique in the moment, learning transforms when we move beyond recitation to active, adaptive understanding.

Declarative knowledge—the facts, definitions, and information we can recite—becomes truly powerful only when transformed into functioning knowledge. Functioning knowledge is what happens when we move beyond simply storing information and learn to apply it in unpredictable, real-world contexts.

This transformation doesn’t occur through passive learning, but through active engagement—through improvisation, experimentation, and reflection. It’s about turning static information into a living, adaptable capability.

Case study: scenario-based learning in action

Turning information into ‘a living, adaptable capability’ was precisely the challenge IO-Sphere presented us. As a data analysis start-up, they’d discovered a critical gap: technically skilled analysts who understood the numbers but couldn’t breathe life into that knowledge within real workplace contexts.

Ding approached this by developing a multi-dimensional learning experience that went far beyond traditional training. We created an entire ecosystem of video-based learning resources, working with professional actors and a professional film crew to bring a fictional data analysis team to life. We filmed on location within IO-Sphere’s own premises, crafting intricate characters and scenarios that directly mirrored the real-world challenges their learners would encounter.

Filming the scenario at IOSphere HQ

Our approach was holistic: we developed the characters, wrote detailed scripts, and produced professionally filmed narratives that introduced learners to a team of data analysts struggling with the very professional complexities they would likely face.

These video resources weren’t standalone content, but became the foundation for project briefs, learning activities, and immersive scenarios that surfaced the real turbulence of workplace dynamics—the conflicts, challenges, and collaborative complexities that traditional training typically sanitises.

Drawing from film and TV storytelling techniques, we crafted scenarios that demanded more than data analysis. Participants had to create value, tell compelling stories, navigate workplace dynamics, and influence decision-makers.

The actors’ experience

Advait Kottary, an actor who performed in the IO-Sphere project, captured Ding’s scenario-centred approach perfectly. “It’s almost like me describing to you how an apple would taste versus me just handing you an apple and asking you to experience it,” he noted.

What made our approach even more immersive was the deliberate blurring of boundaries. “Almost like you were a fly on the wall, seeing a situation unfold,” Kottary explained. 

The real magic happened when Kottary was invited back by the IO-Sphere coaches to “break the fourth wall” and interact directly with the learners who had experienced these scenarios.

“I actually had the chance of interacting with several of the learners who underwent this bootcamp,” he shared, “and it was quite amazing to see how invested they were in the situation and the premise that had been created through these scripts.”

Why learning needs more improvisation

Spolin’s pioneering work in developing theatre games is more relevant than ever. As AI makes content easy to produce, effective learning experiences need to incorporate more improvisation in order to develop learners’ skills in adapting to change.

Incorporating scenarios and simulations into your learning and training is an effective way to begin developing the core attributes professionals need to be ready for the workplace. 

Want to become a qualified learning designer?

We run a PGCert, PGDip and MA in Creative Teaching and Learning Design.

Take our diagnostic quiz!

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How to (really) improve teaching excellence https://ding.global/how-to-really-improve-teaching-excellence/ https://ding.global/how-to-really-improve-teaching-excellence/#respond Mon, 09 Jun 2025 23:29:47 +0000 https://ding.global/?p=6595 The post How to (really) improve teaching excellence appeared first on Ding.

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If you work in further or higher education, you’re probably sick of hearing about the need to improve teaching excellence. The term itself has become deeply problematic, and so Phil and I thought we should take a look at it.

During our discussion about how to improve teaching excellence, Phil noted: “Teaching excellence is another one of those things where thinking goes to die.” The term has fallen into a contested space where its meaning depends entirely on who’s using it and to what end.

So what’s the problem with teaching excellence? Well, despite significant investment in teaching excellence frameworks and metrics, the persistent skills gap between graduates and employer expectations remains stubbornly wide. Recent reports show that whilst 89% of employers believe graduates have sufficient theoretical knowledge, only 65% believe they can apply it effectively in workplace contexts. This disconnect creates significant challenges for those responsible for improving student outcomes and institutional performance.

Teaching excellence is in disrepute

For educators, teaching excellence represents the transformative relationship between teacher and learner—the ability to “switch light bulbs on in the minds of young people” and foster intellectual curiosity. Yet within regulatory frameworks, the term has been repurposed as an assessment mechanism tied to metrics that often feel divorced from the lived experience of teaching and learning.

“It’s no longer an easy term to talk about because it’s actually a term that’s fallen into disrepute,” Phil explains. Teaching excellence has become politicised – weaponised, even – and used as a proxy for market accountability and value for money. When educators hear calls to “dial up teaching excellence,” many hear “a neoliberal siren going off in their heads” about working harder in an environment of diminishing resources.

This binary thinking creates a false dichotomy between educational values and employability outcomes, leaving educators caught in the crossfire. But the reality is more nuanced – teaching excellence and employability aren’t opposing forces but interconnected aspects of the same educational project.

From declarative to functioning knowledge

The emergence of AI is radically transforming our relationship with knowledge, and the skills required to apply it. Increasingly, what matters isn’t the declarative knowledge students possess (the facts, concepts, and theories they can articulate), but rather their functioning knowledge – their ability to apply what they know in variable contexts.

The Knowledge Spectrum - Ding

This shift challenges us to rethink teaching excellence for the 21st century. As AI rapidly advances in delivering declarative knowledge, the professional attributes required by successful graduates are those AI cannot replicate: agility, innovation, holistic problem-solving, and principled action.

The hidden curriculum

At Ding, we’ve found the optical illusion ‘Rubin’s Vase’ to be a useful way of visualising this shift. The vase represents the subject-specific curricula that students acquire, but the faces pressing the vase into existence constitute the more hidden professional attributes.

hidden curriculum - Ding

The vase – or the subject-specific curriculum – is the bare minimum that employers expect from graduates. And in the age of AI, subject-specific expertise is no longer a differentiator. “The vase is the thing that AI can do,” as Phil eloquently puts it. “AI can throw a vase, no problem, and it’s going to get better and better and better.”

Teaching excellence must therefore evolve to address this shift, focusing less on transmission of content and more on creating conditions for applying knowledge in complex, uncertain contexts.

The problem of best practice

What’s becoming increasingly clear is that subject content often serves as what film director Alfred Hitchcock called a “MacGuffin” – something that appears important to the plot but isn’t central to the story. While the subject-specific discipline attracts learners to pursue further study, the important learning happens in the spaces between.

Subject benchmark statements and apprenticeship standards exemplify this problematic approach to curriculum design. These documents attempt to codify disciplines into discrete knowledge and skills, presenting them as comprehensive roadmaps to professional competence. However, they consistently fail to articulate the hidden dimensions that actually determine success in professional environments.

These standards typically emphasise technical knowledge and visible skills while neglecting the tacit knowledge, professional sensibilities, and social competencies that enable professionals to function effectively. They focus on “the vase” – the subject-specific content that’s increasingly available through various sources – rather than the negative space that gives the vase its meaning and utility.

problem of best practice - Ding

This ‘best practice’ approach creates a double disconnect: employers become frustrated that graduates lack skills not explicitly articulated in formal standards, while educators focus on delivering to specifications that don’t actually represent what’s needed. The result is graduates who possess knowledge but lack the functioning capabilities to mobilise it effectively.

When we examine what employers actually want, conversations quickly move beyond subject specificity to attributes such as business acumen, conflict resolution, creative problem-solving, and ethical reasoning – all elements that sit outside traditional disciplinary boundaries but are integral to workplace effectiveness.

    Moving beyond metrics

    So what should institutions do about this? Well, if you want to move beyond simply playing the metrics game and genuinely improve teaching excellence, here are some practical suggestions for making structural changes that will produce real impact:

    Design for the gaps, not just the content.

    Create intentional spaces where knowledge meets context. Meaning emerges not from the individual elements of an experience but from their juxtaposition (LINK TO KULESHOV EFFECT). Similarly, learning happens when students test their knowledge in unfamiliar contexts, creating productive cognitive dissonance that builds resilience and capability.

    Challenge existing customs of duration and structure.

    Netflix has revolutionised television by allowing episodes to be exactly as long as they need to be to tell their story effectively. Similarly, teaching excellence requires questioning why classes are structured as they are – is an hour-long lecture the right vehicle for your learning objectives, or merely a custom? Is a 3-year degree programme, or a 12-month apprenticeship, the most effective way to achieve the intended outcomes? Challenging duration can unlock more intentional teaching and learning.

    moving beyond metrics - Ding

    Cultivate learning communities.

    Teaching excellence requires meaningful learning spaces where perspectives interact, knowledge is tested, and students develop the capabilities for functioning knowledge. This approach recognises that learning is inherently social and happens through collision, turbulence, and difference. Rethinking teaching as community leadership instigates a potent shift in emphasis that can energise the learning and teaching experience for both educators and students.

    Make the hidden curriculum visible.

    Excellent teaching brings to the surface those tacit understandings, professional behaviours, and cultural norms that remain implicit in formal standards. Consciously articulating and designing for these hidden elements produces more equitable learning environments. This in turn reveals the hidden power dynamics that often privilege those from higher socio-economic backgrounds and disadvantage those who may lack cultural capital.

    Embrace uncertainty as pedagogy

    Rather than presenting disciplines as stable bodies of knowledge, excellent teaching acknowledges and works with uncertainty. Learning experiences that intentionally introduce turbulence and uncertainty and are much more effective at preparing students for the messy realities of the professional workplace.

    Rethinking teaching excellence

    Teaching excellence needs a rethink if it is to produce workplace-ready graduates. If we are to effectively equip graduates for the world of work, our teaching needs to prepare for the workplace as it truly is – complex, interdisciplinary, and constantly evolving.

    Reimagining teaching excellence is an opportunity to expand its ambition and build confident, creative and resilient graduates who have the capacity to shape and transform the professional landscape.

    Want to become a qualified learning designer?

    We run a PGCert, PGDip and MA in Creative Teaching and Learning Design.

    Take our diagnostic quiz!

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    Getting your casting right https://ding.global/getting-your-casting-right/ https://ding.global/getting-your-casting-right/#respond Sun, 12 Jan 2025 22:44:21 +0000 https://ding.global/?p=5955 The post Getting your casting right appeared first on Ding.

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    Think about your favourite film or TV show for a moment. Now imagine if all the same words were spoken, but by completely different actors. Wild, right? That’s the power of casting – get it right, and the experience feels effortless. But cast the wrong people, and you can quickly who is in the wrong role. 

    This same principle plays out in a learning situation, where getting the right people in the right roles can make or break a learning experience.

    The hidden art of casting

    Professional casting directors earn six-figure salaries because their decisions can determine the success or failure of a film. While a learning programme may not be as glamorous as a film, the budgets can often be comparable – if you’re leading a course with 500 learners each paying £10K per year, you’re effectively directing a £5million production.

    So it’s odd that in education we often overlook this “casting” element, and focus more on content over delivery. If you’re a Director of Learning, a Dean or Associate Dean, you should think carefully about who’s delivering the content, not just about what they’re delivering.

    The parallel universe

    Casting directors don’t just pick good actors – they pick the right actors for specific roles. An actor with a reputation for Hollywood disaster movies may not be such a good fit for a romantic comedy.

    Similarly, brilliant researchers might not be the best choice to lead introductory courses. They may be an expert in their field and globally renowned, but they may also have forgotten what it’s like to ‘not know’ about their subject.

    If this person is tasked with teaching first year undergraduates, they may end up blaming students for ‘not being clever enough’. Conversely, students may blame the researcher for not making the subject interesting, leading to a fall in student satisfaction.

    So when we’re thinking about the route through a learning experience, we need to get the casting right by considering who is the best person to take charge of each stage of the journey.

    Design strategies for imperfect casting

    Unlike Hollywood, we can’t always hold open auditions for every educational role. So how do we work with what (and who) we’ve got?

    This is where good learning design can help. While we may have limited choice about who delivers a session or a section of an experience, there are other ways to increase the chances that learners will have a good experience.

    Let me help expand on these strategies through the lens of an experienced casting director. I’ll explain how each approach can help when you don’t have complete freedom in choosing who delivers your learning content.

    1. The ensemble approach

    • Break content into smaller, specialized segments
    • Let each person play to their strengths
    • Create multiple voices and perspectives within one course

    Breaking content into smaller, specialised segments is like how we cast different actors for different scenes based on their specific strengths. In learning, this means dividing a course into shorter modules where instructors can focus on their areas of expertise. For instance, a statistics course might have one instructor handle theoretical foundations (where they excel) while another tackles practical applications (where they have industry experience). This reduces the pressure on any single instructor to be exceptional across all aspects.

    A course team consisting of five men and women standing up.

    Letting each person play to their strengths mirrors how we might cast a character actor for intense dramatic scenes while using a different performer for lighter moments. In education, this could mean having a theoretically-minded professor handle complex conceptual discussions while engaging a practitioner to lead case study analyses. This way, everyone operates in their comfort zone, leading to more authentic and confident delivery.

    And creating multiple voices and perspectives is similar to how an ensemble cast brings different energies to a film. In learning, this means intentionally incorporating various teaching styles and viewpoints throughout a course. When learners hear from multiple voices, no single instructor’s limitations become overwhelming, and students benefit from a richer, more nuanced understanding of the subject.

    2. The supporting cast

    • Build robust supplementary materials
    • Integrate peer learning and discussion
    • Use guest speakers for key moments

    Building robust supplementary materials is like having strong background sets and props that support actors even when they’re not at their best. In learning, this means creating comprehensive study guides, detailed notes, and reference materials that can help clarify concepts even if an instructor’s explanation isn’t perfect. These materials act as a safety net, ensuring core content is accessible regardless of delivery.

    Integrating peer learning and discussion resembles how supporting actors can elevate a scene even when the lead isn’t as strong as we’d like. By designing opportunities for student interaction and group work, we create multiple channels for learning that don’t solely rely on the instructor. This distributed approach to learning helps compensate for any limitations in the primary instructor’s delivery. 

    Three teachers sat on the floor in a library planning  a lesson.

    Using guest speakers for key moments is like bringing in specialist performers for crucial scenes. By strategically incorporating expert guests for specific topics or critical concepts, we can ensure that particularly important or challenging material is delivered by someone with deep expertise, even if they’re not available for the entire course.

    3. The Director’s cut

    • Structure sessions to maximize engagement
    • Create clear ‘stage directions’ in materials
    • Provide detailed facilitation guides

    Structuring sessions to maximise engagement is similar to how we pace scenes in a film to maintain audience interest. This means carefully planning the flow of each class session, alternating between different types of activities and ensuring key concepts are introduced when learners are most receptive. Good structure can help compensate for varying levels of instructor charisma.

    Creating clear ‘stage directions’ in materials parallels how detailed scripts help actors deliver consistent performances. By providing instructors with specific guidance about timing, activities, and key discussion points, we can help less experienced teachers deliver content more effectively and confidently.

    Providing detailed facilitation guides is like giving actors comprehensive character backgrounds and motivation notes. These guides help instructors understand not just what to teach, but why certain approaches are recommended and how to handle common questions or challenges. This support is particularly valuable for those who might be teaching outside their comfort zone.

    4. The production design

    • Build interactive elements that shine regardless of delivery
    • Create self-directed learning pathways
    • Use technology to enhance weaker areas

    Building interactive elements that shine regardless of delivery is similar to how strong special effects can enhance any scene. Creating engaging activities, simulations, or exercises that are inherently interesting helps maintain student engagement even when an instructor’s delivery might not be optimal.

    Creating self-directed learning pathways resembles how we might restructure a scene to rely less on a particular actor’s performance. By designing elements that allow students to explore and learn independently, we reduce the impact of any limitations in instructor delivery while promoting active learning.

    Using technology to enhance weaker areas is like using post-production techniques to improve a scene. This might mean incorporating high-quality video content, interactive simulations, or adaptive learning tools to supplement areas where available instructors might not be as strong, ensuring learners still receive high-quality instruction in all aspects of the course.

    The Director’s notes

    Even the best actors need good direction. Effective learning design should provide clear guidance while allowing space for authentic delivery. The art of learning design, like film production, is about creating magic with the resources available. It’s about getting your casting right.

    A girl working on a essay next to her laptop.

    Sometimes that means writing to your actors’ strengths, sometimes it means creating systems that support their development, but it always means thinking carefully about who’s delivering what and how they can best serve the learner’s journey.

    The best learning experiences, like the best films, aren’t just well-written – they’re well-cast, well-directed, and thoughtfully produced. Even with constraints, good design can help everyone shine.

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    The Kuleshov Effect and why learning designers are editors https://ding.global/the-kuleshov-effect-and-why-learning-designers-are-editors/ https://ding.global/the-kuleshov-effect-and-why-learning-designers-are-editors/#respond Tue, 10 Dec 2024 23:45:51 +0000 https://ding.global/?p=5896 The post The Kuleshov Effect and why learning designers are editors appeared first on Ding.

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    In one of our Friday chats, Phil and I recently explored the Kuleshov Effect and its implications for learning design. While Phil is something of a film buff, I’m definitely not – so I spent some time researching this concept prior to the discussion to ensure I knew what he was talking about. And it turns out that the Kuleshov Effect can tell us a lot about the work that learning designers do.

    The learning designer as ‘editor’

    The Kuleshov Effect focuses on the power of a film editor to influence the meaning that an audience experiences. But before we get into that, I want to take a moment to compare the role of a film editor with that of a learning designer.

    For a long time, Phil and I have grappled with the difficult of explaining learning design to people. But viewing the learning designer as an editor is a helpful analogy to describe the work we do. Editors are responsible for making sense of a film director’s vision of what the film should be, and this often involves ‘editing’ out footage that the director would otherwise leave in.

    This analogy produces a useful comparison between the learning-designer-as-editor and the subject-matter-expert-as-director. Whereas a SME is responsible for delivering a selection of high quality content, the learning designer’s role is to edit the content to ensure the curriculum doesn’t become overly stuffed with content.

    The power of gaps in sequencing

    Now let’s bring in Kuleshov. Lev Kuleshov was a Russian editor who believed that the acting in a film was less important that how the film was edited. Kuleshov argued that an editor can fundamentally change the meaning an audience experiences by changing the order in which shots are presented. To use his words: “more meaning is created by the interaction of two shots than by any shot in isolation”.

    This has huge implications for learning design, because it demonstrates the importance of leaving space for learning to occur. If there is too much instruction going on, the learner quickly becomes passive. But by leaving ‘productive gaps’ in the sequencing, learners engage their imagination as they work to make connections between activities or moments of interaction.

    If we apply the Kuleshov Effect to learning design, it enables us to reduce the amount of instruction required. Just as an editor understands the end-to-end narrative of a film, the learning designer’s role is to understand the end-to-end learning experience. In both cases, the job involves providing just enough information to ensure the audience understands what’s going on, and leaving enough gaps to engage their imagination.

    How juxtaposing experiences develops employability skills

    At the heart of the Kuleshov Effect is the role of juxtaposition. In his famous experiment, he first showed an expressionless face (the first ‘shot’) and then placed a contrasting second shot after it By changing the second shot, he demonstrated that meaning emerges in the viewer’s mind rather than from the footage itself.

    This offers a useful way to think about how skills development actually works in practice. University education often treats skills as fixed endpoints – as if once you’ve learned to do something, that skill exists in isolation as a complete thing. But just as Kuleshov showed that a neutral face takes on different meanings when juxtaposed with different images, skills take on different qualities and applications when juxtaposed with different real-world contexts and problems.

    This suggests something profound about the nature of skills development. When a student learns a technical skill – whether that’s data analysis, architectural design, or photography – that skill in isolation is essentially neutral. It’s like Kuleshov’s expressionless face: it contains potential but not inherent meaning. The real meaning and value of the skill emerges only through its juxtaposition with real-world problems and scenarios that test and transform it. This is why employers often say that technical skills alone aren’t enough – they need graduates who can adapt and apply those skills in unpredictable situations.

    Ding Kuleshov Effect Learning Designer as Editor

    This should fundamentally change how we think about curriculum design. Rather than treating skills development as a linear process of acquisition, we should be creating deliberate juxtapositions between skills and scenarios throughout the learning journey. This might mean exposing students to the same skill in three very different contexts in quick succession, helping them understand that skills aren’t fixed points but rather starting points for problem-solving.

    Using ambiguity to increase learning 

    The value of producing deliberate ambiguity in curriculum design is also supported by research. In 2019, a longitudinal study by Sinha and Kapur tested the difference between teaching first or experiencing a problem first. In the research, students who were required to tackle a problem before receiving any instruction showed a learning gain of around 20% compared with those who received instruction before tackling the problem.

    This tells us that we ignore gaps at our peril. As learning designers, we should create and sequence activities that engage learners’ problem-solving skills and enable them to create their own meaning before we teach into the space. This is a skilful act of design, as learners need to feel sufficiently ‘held’ and supported to have the confidence to deal with ambiguity.

    Meaningful learning lies in the edit

    In film, the editor shapes meaning through careful selection and sequencing, often making difficult decisions about what to remove. Similarly, learning designers shape the learning journey through careful curation and sequencing of experiences.

    The learning designer, like the editor, brings a strategic perspective – understanding that what matters is not the individual pieces of content, but how they work together to create meaning in the learner’s mind. Like film editors, we operate from a position that is “subject-adjacent” rather than deeply embedded in the subject matter. This gives us a unique perspective – we can see the whole journey and make strategic decisions about what to include, what to remove, and how to sequence experiences for maximum impact.

    This makes the learning designer’s role highly strategic. We’re not just creating content – we’re curating experiences that create the conditions for learning to emerge.

    A lady editing a film in an editing suite.

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    Callum Goodwilliam: Leadership Through Learning Design https://ding.global/callum-goodwilliam-leadership-through-learning-design/ https://ding.global/callum-goodwilliam-leadership-through-learning-design/#respond Thu, 14 Nov 2024 13:50:33 +0000 https://ding.global/?p=5831 The post Callum Goodwilliam: Leadership Through Learning Design appeared first on Ding.

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    The skillset of a learning leader

    Working in a senior learning role requires a complex set of skills. You need to both understand the needs of the business and also be able to design learning products and experiences that will deliver the business strategy.

    Callum Goodwilliam is a Learning Consultant who has held several senior learning roles at businesses including Shopify and General Assembly. In this episode, Callum talks about the hidden skills that have enabled him to succeed in these roles.

    The conversation revealed the power of compassion, beginner’s mind and leading through action in producing successful learning experiences.

    Why learning designers are leaders

    At Ding, we have long advocated for the leadership aspect of learning design. Too often, learning designers are brought in to ‘tinker’ with an existing course, or build a new programme.

    But this often masks the leadership skills that are required to do this effectively including asking difficult questions, building consensus, moving forward with incomplete information and taking responsibility in the face of ambiguity.

    In this episode, we explore the leadership traits inherent in good learning design, and ask Callum to share his advice for learning designers looking to progress into more senior roles.

    Enjoy the podcast!

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      Graham Gibbs and the value of learning by doing https://ding.global/graham-gibbs-and-the-value-of-learning-by-doing/ https://ding.global/graham-gibbs-and-the-value-of-learning-by-doing/#respond Wed, 25 Oct 2023 19:57:57 +0000 https://ding.global/?p=4168 The post Graham Gibbs and the value of learning by doing appeared first on Ding.

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      ‘Most learners have a wealth of experience to draw on, which, however much lip-service is paid to it, tends to get sadly neglected even in the most carefully designed learning programmes. This is of course particularly true of adult learning programmes of all kinds, including staff development.’ (Elizabeth Simpson, Foreword)

      Learning by doing

      Learning theories are some of the most powerful tools a learning designer can use to build learning experiences, no question. And if, like John Holt, you believe, ‘We learn to do something by doing it’, and that ‘there is no other way’, then Experiential Learning may be the tool for you.

      Gibbs’ book Learning by Doing will offer you valuable insights and case studies on which to hone your learning design skills. It’s a very fine go-to book, and more of a resource rather than a read-it-through book. According to Rhona Sharpe in her 2013 preface, it’s ‘a hugely influential text in education.’

      But where did Gibbs get his ideas from? And what is experiential learning anyway? Let’s take a closer look.

       

      John Dewey, David Kolb and experiential learning

      The theory of Experiential Learning grew out of the work of the great John Dewey (1859-1952), who saw that education paid no attention to the experience children brought to the classroom: instead, the teacher’s job was to fill the little vessels with predetermined knowledge. Dewey’s Experience and Education (1938) came out of this insight and advocated building lessons on children’s experience, not on facts.

      The book has had a massive influence on the development of teaching, and on David Kolb in particular,  Building on Dewey’s work, David Kolb brought two big ideas to Experiential Learning: his ‘learning styles’ inventory and his experiential learning cycle.

      Kolb’s four-stage learning cycle – concrete learning, reflective observation, abstract conceptualisation and active experimentation – has had a huge impact on teaching and training, and on how we design active learning experiences. 

      The cover of Dewey's book Experience and Education, and Kolb's experiential learning cycle

      What does Gibbs’ cycle add?

      Gibbs took Kolb’s cycle and expanded into: describing, feeling, evaluating, analysing, concluding, action planning. It has, says Sharpe (2013), ‘been widely adopted by those studying, practising and teaching the skills of critical reflection.

      There’s a clear explanation of how the cycle works based on examples. And the overview of what experiential learning theory does and does not cover might well be on everyone’s pinboard as an aide memoire (though why it is called ‘experimental’ learning theory here is not clear at all – a huge typo?)

      You might want to give Chapter 3 a miss since it discusses learning styles – the part of this book that shows its age: the excitement of Kolb’s learning style categories (rather than individual styles) died down some years ago now. On the other hand, you may find Kolb’s inventory valuable regardless.

      Chapter 4 covers practical methods for setting up and running good experiential learning sessions – can there be any aspect that has been missed? I doubt it (though I suspect that, in the 2020s, theorists would suggest more thorough, possibly different, work on group dynamics and the kinds of project with which groups might engage). 
      _

      Tips for understanding an experience

      Gibbs provides helpful advice about how students might improve their awareness/understanding of an experience. He suggests listening exercises (and an analysis of good and bad listening), logbooks, diaries, video/audio records, and structured discussions to help with understanding, reflection and memory. Tracy Harrington Atkinson’s breakdown of the Gibbs reflective cycle offers useful additions here along with useful reflective questions for every phase.

      However, according to researcher Rayya Ghul, Gibbs himself was apparently puzzled as to how such a ‘coarse tool’ as Kolb’s cycle became so popular. Ghul herself ‘remain[s] unconvinced that it produces genuinely rich reflection’ (2022).

      Ways to use Gibbs in learning design

      Ding is a great supporter of Gibbs’ cycle of experiential learning. It provides an effective way to structure a learning experience, and can provide a different approach to reflection if you, or your learners, find Kolb’s cycle too simplistic. Here are a few tips for using Gibbs’ cycle in learning design:

      Create structured reflection activities

      Incorporate specific activities that prompt learners to engage with each stage of Gibbs’ cycle. For example, after a hands-on activity or simulation, provide prompts that encourage learners to describe what they did, express their feelings and initial reactions, evaluate the experience, analyze what worked well and what could be improved, draw conclusions, and plan actions for future applications. These structured reflection activities can be integrated into e-learning modules, classroom discussions, or self-paced exercises.

      Provide multimodal learning resources

      Provide diverse resources that cater to different learning preferences and styles. This could include written reflections, audio or video recordings, visual aids, and interactive simulations. By offering a variety of resources, you accommodate various learning styles and preferences, ensuring that learners have the tools they need to engage with each stage of the cycle effectively.

      Enable peer feedback and Interaction

      Foster a learning environment that encourages peer feedback and interaction. This can be achieved through activities such as group discussions, peer reviews, or collaborative projects. Encourage learners to share their reflections and insights with each other, providing opportunities for constructive feedback. This not only reinforces the learning process but also promotes a sense of community and shared understanding among learners.

      Gibbs' Reflective Cycle

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      Why learning should be fun, and how to design for it https://ding.global/why-learning-should-be-fun-and-how-to-design-for-it/ https://ding.global/why-learning-should-be-fun-and-how-to-design-for-it/#respond Wed, 04 Oct 2023 09:52:07 +0000 https://ding.global/?p=4118 The post Why learning should be fun, and how to design for it appeared first on Ding.

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      Faced with a potentially dreary course on US organisational law, Roberto Corrada set his students to read Michael Crichton’s Jurassic Park. There were complaints, murmurings, a bit of truculence. Then came the project: to create all the policy needed to protect extinct animal parts. This covered wide-ranging aspects of organisational law – and earnest students initially resistant began to turn in 50, 100 pages on the topic. They were hooked.

      This examples wonderfully illustrates the engagement, enthusiasm and creativity that playfulness can produce.

       

      The benefits of fun in learning

      The many positives that playfulness and fun brings to learning have been neatly summarised by Professors at Play Playbook editors Lisa Forbes and David Thomas (2023:5). Play:

      • Enlivens and energises us
      • Renews our sense of optimism
      • Opens us to new possibilities
      • Fosters learning, creativity, innovation
      • Sustains and strengthens relationships
      • Cures boredom and living in the mundane
      • Increases productivity
      • Increases one’s mood
      • Diminishes self-consciousness
      • Allows for fresh insights and perspectives
      • Increases acquisition of new knowledge
      • Makes new cognitive connections
      • Teaches emotional intelligence
      • Encourages flexibility, adaptability, and resilience

      projects

      What’s not to like (as we say)? But the naysayers continue to worry that play, fun will diminish the seriousness of the academic endeavour, will deplete rigour and confuse professional boundaries. Alison James’ research for The Value of Play in Higher Education (a very playful book) suggests that ‘fear and negative perceptions about playful learning are its greatest obstacle’ (James, 2023:25).

      She points out that play is already ‘embedded’ in some very big companies, such as Google, Facebook and Zappos, and a great many companies – Red Cross, Sony and Formula One for a start – are now seeing the benefits of Serious Lego. Companies cite ‘improved attitudes and motivation, strategic thinking and outcomes’ (James, 2023:66).

       

      Barriers to making learning fun

      Despite these benefits, the academic fears regarding fun and play remain. But according to Forbes and Thomas (2023:3):

      Play does not take away from what needs to be taught and what needs to be learned. You can still teach the same things you’ve always taught. You can still be ‘rigorous’ and maintain high standards and expectations.

      The participants in James’ study support this view: they see play as ‘fundamental to creating good connections and relationships and for fostering a positive and conducive learning environment’ (James, 2023: 25).

      However, looking through the examples of playfulness in Forbes and Thomas, a snag emerges: some of us would rather crawl under a stone than enact them. Wearing a silly hat and dancing in front of the class? No, thank you. Forbes and Thomas (2023:26) say: ‘Being playful – you’re vulnerable but if you’re not prepared to be – why should your students think it is acceptable?’

      Yes, hmm, but. Some of us would rather find other ways to show our vulnerability. Some of us won’t have the chutzpah for some of this – and we won’t thank learning designers for thrusting it on us.

      Clearly, too, teachers need to be congruent with what they’re being asked to do – students will spot incongruence from a long way off, and they’ll probably be thinking, ‘Yuk’. It certainly won’t land well. For Forbes and Thomas (2023:26):

      Being playful, genuine, and authentic is important because the power of play in learning is, in large part, created from establishing safe and trusting relationships within the classroom. From the safety of those relationships, students are freer and more confident to speak up, take risks, make mistakes, and freely engage in the learning. The stronger the relationships, the higher the buy-in and investment in the learning process which makes students more engaged and motivated to learn.

      Students have reported some awkward moments where academics have not been able to pull off the fun factor. This may well be, among other reasons, because they didn’t believe sufficiently in what they were doing, but the students suggest it’s because it doesn’t fit into the departmental ethos: for playfulness to go well, there needs to be a whole-faculty commitment to it.

       

      How learning designers can design for fun

      If learning designers want to engage with fun and playfulness, they may first need to convince faculty. At the very least, we can consider James’ eight-point framework for play (p.328 of her book, which is online). And James’ own approach to fun? ‘I embody playfulness with others by my manner, with warmth, curiosity, outreach, a spot of gentle teasing, by treating my material with lighthearted seriousness and with a twinkle in my eye’ (cited in Forbes and Thomas, 2023:31).

      Learning design can’t teach you how to do this, but maybe learning designers can create the conditions where such attitudes can flourish. Here are some suggestions:

      Use sprints

      Design a series of short sprints that require learners to make, share, iterate and make again. Breaking learning into a series of short sprints reduces learners’ tendency to procrastinate by creating a sense of urgency. This in turn makes learning fun, focuses learners’ attention, and helps them see just how much they can achieve in a short space of time.

      Encourage collaborative learning

      Design activities that promote teamwork, discussion, and group projects. Although collaborative learning activities can produce conflict, it is this energy that also makes them fun and memorable. Collaborative learning experiences not only make the process more enjoyable, they also develop students’ intercultural awareness, friendships and problem-solving skills.

      Provide choice and autonomy

      Offer learners some degree of control over their learning journey. Where possible, create a ‘choose your own adventure’ approach to learning where learners can choose topics that interest them, select from a variety of assignments, and decide on the pace of their learning. This autonomy empowers learners, improves engagement and can make the learning process more enjoyable and meaningful.

      Incorporate game-based elements

      Gamify the learning experience by adding elements like points, badges, leaderboards, and challenges. These game mechanics can motivate learners, create a sense of competition or achievement, and bring playfulness into the learning process. 

      Use scenarios

      Integrate narratives, case studies, or realistic scenarios into the learning activities. Using a scenario to frame a learning experience can make abstract concepts more relatable and engaging. Scenario-based learning engages learners’ emotions and helps them see more clearly why they are learning something, and how they might use it in different situations.

       

       

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      • Ray Martin for her help with researching and preparing this article 

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      Producing attentiveness and accountability in learning design https://ding.global/producing-attentiveness-and-accountability-in-learning-design/ https://ding.global/producing-attentiveness-and-accountability-in-learning-design/#respond Tue, 04 Apr 2023 20:01:33 +0000 https://ding.global/?p=3332 The post Producing attentiveness and accountability in learning design appeared first on Ding.

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      Attentiveness and accountability are two powerful levers that learning designers can use to drive engagement. Let’s take a look at how we can use digital technologies to create these important conditions for effective learning.

       

      How accountability drives engagement

      Firstly, let’s look at accountability. Now, you may well be thinking, ‘hang on, I’m already accountable for too many things – I don’t need to be accountable for anything else’. But accountability in learning design has a specific meaning, and it’s this: ‘what is going to make your learners do what you’re asking them to do?’ 

      Let’s take Ding’s Learning Design Bootcamp as an example. Participants might love the content (because it’s so engaging and humorous…) but there would be little incentive for them to keep going if the Ding team weren’t looking at their module worksheets and giving them feedback. This is what accountability looks like – the facilitator’s role is to hold you accountable for what you’re learning. Unless we had designed the Bootcamp for accountability, it’s likely that participants wouldn’t complete the course.

      Another proven way to produce accountability is through groupwork and teamwork. Creating collaborative projects makes participants accountable to their team members, and not just to the facilitator or coach. Digital technologies play a key role in supporting effective teamwork by enabling team members to make their learning visible. Miro boards, LinkedIn group messages and Padlets are just some ways in which technology can enable teams to see what each member is contributing, or not contributing. 

      We know that accountability plays a key role in driving engagement because we can see what happens when we remove it. This is demonstrated by the fact that over 90% of people who sign up to Massive Open Online Courses drop out and don’t finish – the issue is learners aren’t held accountable for what they’re learning. 

       

      How attentiveness drives engagement

      This brings us to attentiveness. Attentiveness drives accountability. It’s the act of looking at what learners are doing, and making sure they know they’re progress is being monitored. In a physical classroom, attentiveness looks like the tutor or facilitator walking round the room and checking everyone is on task, then providing assistance as needed.

      But in an online course, you can’t walk around the room. So how can we produce attentiveness?

      The answer is this: we use technology to make learning visible. Getting learners to write on a blog makes their learning visible. Conversations in Slack or on discussion boards make learning visible. Asking learners to respond to a task in a Google Doc makes learning visible. 

      Once this happens, you can produce attentiveness by responding to what learners have produced. You might do this by commenting on their work, ‘liking’ it, or even just adding a smiley face or the two-eyed emoji to show you’re looking at it. These simple gestures show learners that you’re being attentive, and this in turn produces accountability. 

       

      Motivating learners

      Too many learning experiences make the teaching visible, but not the learning.In order to make learning visible, we also have to motivate learners to do things. By showing learners we are being attentive and by making them accountable for what they’re learning, we produce motivation.

      Motivation is integral to effective learning at all levels, but for adult learners it’s especially important. Adult learners can easily choose not to continue with a learning experience unless they feel motivated to do so. So as learning designers, we have a responsibility to design for accountability and attentiveness in order to create a learning experience that compels learners to continue. If we simply present learners with a load of content, it doesn’t matter how great it is – after a while, they’ll just stop consuming it because there is nobody to hold them accountable for what they’re learning.

      One of our fabulous podcast guests, Geraldine Murphy talked about the importance of motivation in learning design. You can listen to her podcast here.

      So to recap, attentiveness and accountability are two powerful levers we can use to motivate learners to engage. As we design any activity, we should always ask ourselves ‘how will learners be required to demonstrate what they’re learning?’ (accountability), and ‘how can we show them that their work is being looked at?’ (attentiveness). 

       

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      Front Page of Ding's Learning Design Bootcamp brochure

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